Publisher: LUMA Foundation
Artist Tony Oursler has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience, and technology. For Oursler, the archive functions as an open visual resource, historical inquiry, and-most intriguingly-a family history. One of the collection's many digressions is the friendship between the artist's grandfather Charles Fulton Oursler-a famous early 20th-century author and publisher-and magician and escapologist Harry Houdini, Their joint campaign against fraudulent medium, and a historic interaction with Arthur Conan Doyle, who, beyond his Sherlock Holmes series, was an important advocate for spiritualism and the paranormal.
This publication features up to 2,500 objects from Oursler's collection, including photographs, prints, historic manuscripts, rare books, letters, and objects. Additional topics include stage magic, thought photography, demonology, cryptozoology, optics, mesmerism, automatic writing, hypnotism, fairies, cults, the occult, color theory, and UFOs. Linking thesis wide-ranging material is Oursler's underlying interest in belief systems and human nature-the suspension of disbelief, or perhaps just our propensity to believe. The material in Oursler's collection broadens recent explorations of technology and mystical cultural production, Investigating the relationships between science, pseudo-science, religion, and the occult with visual and archival documents did demonstrate the power of images to carry and challenge our most cherished beliefs.Published in conjunction with a major exhibition of Oursler's archives at LUMA Foundation in Arles, France.